Orsilloing a Cloak; Book Review of "Dirty Water: A Red Sox Mystery"

Philosophy books don’t really have endings that can be ruined. Though they contain conclusions, there’s little suspense in getting there. A reader doesn’t wonder, biting his nails- will he use modus ponens? Reductio ad absurdum? Or will he blunder, affirming the consequent? Conclusions, although the name implies the end, are typically stated up front. And so when discussing such books, I don’t have to worry about spoiling anything.

Not so with a mystery novel. I’m not sure I’ve ever even read a mystery novel before; as a philosopher, I like my problems solved right away, and as a Sox fan, I’m pretty sure ahead of time how everything will turn out. But Jere Smith, author of a great Sox blog, co-wrote a mystery novel with his mother, Mary-Ann Tirone Smith, a veteran mystery author, and as this mystery is entitled “Dirty Water: A Red Sox Mystery”, Jere sent me (and others) an advance copy of the book, asked for a review, and so here we are.

So, not sure how to talk about a mystery novel without giving away the plot, I’ll put it this way. I hate exercising. I don’t like sweating unless I’m winning. I recently bought an exercise bike, and the only way I’m going to use it is if I am sufficiently distracted from focusing on my frailty and mortality, so that 30 minutes 3 times a weak isn’t a jail sentence. I read most of Jere’s book on my exercise bike, and now I’m holding up my too big pants and grinning like a dope! In other words, the book was compelling enough to successfully pass the all-important ‘distracted me from wheezing and thinking of dying test.’

The novel features brief appearances from actual Red Sox players, and some of their imagined antics and dialogue are amusing- among my favorite lines are “Schilling unsnapped the onesie at the crotch and took off the soaking diaper”, and “Youkilis said, ‘there’s a lot of Jewish Hispanics, Papi.’” These appearances are mostly at the beginning, as the story takes off from the discovery of a baby abandoned in the Red Sox clubhouse. The mystery develops as the gritty detectives on the case follow a trail of homicide, intrigue, and felonious dealings in the shady business of recruiting foreign ballplayers.

A distinctive aspect of the book is that it features a Red Sox blogger, (presumably) penned by Jere, whose blog posts play a key role in the plot. (If only my blog posts had such clout…) Writers and readers of Sox blogs will probably get a kick out this, especially those not-fictional folks who are name-dropped (though those of us who are not, such as myself, might feel left out. :))

There is definitely a target audience for this book- readers of Sox blogs are not everyone (sadly), and the story is very much set in Boston, with jokes about navigating I-93, and references to places like the Middle East in Cambridge. And the novel does presuppose a quite a bit of familiarity with Sox culture; references to Jerry Remy smoking, Don Orsillo eating donuts, and even speculation that Globe sportswriter Amalie Benjamin thinks bloggers are “weirdos” would probably not go over, in say, Russia.

But that probably wouldn’t bother the Smiths- the setting is of course not just geographical but emotional, and the book knows it’s audience. There’s a stark division drawn between the real Bostonian and the tourist, the true fan and the pink hat, so to speak. Though this is potentially alienating for those on the other side of this iron curtain, this inclusive hardcore Boston affect will satisfy those who wish to derail the bandwagon: tourists are mocked for trying to get into the Lansdowne’s Cask’n Flagon, California is denigrated for not having Thomas’ English muffins for 20 years after Massachusetts did, and one character is surprised to see that a young Sox fan’s hat is so frayed, which belies the fan’s dedication to The Team.

In the meantime, remember, this is a twists-and-turns murder mystery. It’s just that I’m not going to talk about that.

Finally, despite the dark subject matter, the book also features a morally unambiguous community of good-seekers and well-wishers; there’s an I’ll-get-him-if-its-the-last-thing-I’ll-do ethos from the folks directly tied to the action, and a we’re-all-in-this-together-collective-emotion from folks less directly tied. (Misanthropes and others skeptical of roll-up-your-sleeves altruism be warned.)

Done with Dirty Water, I’m getting back on my stationary bike and starting ‘the Case of the Disappearing Yankees World Series Rings’…

Hitting From the Bottom of the Deck

When the skills decline, what's a player to do? Cheat, of course. Varitek continues to get beat on fastballs fair and square, so what other recourse does he have?

Tek, in the 2nd inning of Monday night's 6-3 Sox victory over Baltimore, pulled a 94 mph fastball for a homer to right field, just his third in 64 games. And then in the 7th, he pulled a grounder down the first base line on a 92 mph fastball.

How does such a slow bat get around so early on fastballs? What's the ace up his sleeve? Simple. A 2-0 count in both cases. A hitter's count. A fastball count. A count where Varitek can cheat.

I've noticed this for a few weeks now; Varitek is cheating in fastball counts, looking fastball, and starting his swing early, so he can get around on the predictable pitch. This is a last ditch effort to survive, using brains over that other quality, the one that fades earlier than brains.

Of course, cheating risks getting pinched; it's the price for living dangerously. And if Tek gets an offspeed or breaking pitch in a fastball count, he's apt to get caught redhanded. In the 8th, against stupidly named Rocky Cherry, Tek was ahead in the count 2-1. A count where one is to be selective, waiting for that perfect pitch, and only then making a move. But Tek tipped his hand; gearing up for a fastball, Tek starting his swing early, and had no choice but to chase a slider down and out of the zone. And then guessing fastball again on 2-2, he chased another slider down and out of the zone, for the whiff. In the 9th, Tek had another 2-1 count, and this time was well ahead of a changeup, fouling it off, only to then take a belt high fastball for a called third strike.

Tek was caught cheating on the basepaths last week, too. On Thursday, he tried to get an early start on a stolen base, and left before the pitcher delivered. The pitcher stepped off the rubber, and caught Tek in a rundown, the result of which was not in doubt.

Of course, I can't help concluding that all this cheating business relates to mortality; wishing to stave off infirmity, Tek is looking to cheat death any way he can, to get whatever edge he can muster before old age catches him in a run down. But of course death catches everyone in a pickle of inevitability; it's just a question of staying in it long enough for the other runners to advance.

Anywho, in cheerier news, Bay slammed two dongs, and Lester continued to be the my-subjective-ace, defined as the guy who prompts me to say to myself 'phew, he's pitching tonight.'

Yeah, I say 'phew'. Even to myself. And in private moments, no less.

Lookout! Archetypes Everywhere!

Paul Byrd is 37 years old. Manny Ramirez, 36. Brian Giles, 37. Three ballplayers, each in the, ahem, autumn of his career, and during this year's trading season, three different archetypal responses to the inevitable.

Giles, on a last-place ballclub, vetoed a trade to the pennant contending Sox, citing his wish to remain near to his family in temperate San Diego. Giles' is the bourgeois response; seeking not to improve but to maintain, content with mediocrity, domesticity, and a steady paycheck as an everyday player.

Manny, it has become increasingly clear, is exclusively focused on maximizing his earnings. His is the capitalist denial of death response; just because we end doesn't mean profits have to, get whatever you can while you can because you can. So even though you can't take it with you, accumulation gets you a bigger tombstone.

And then there's Byrd. Remy, talking on Thursday about Byrd's excitement at being dealt to a winner, noted that though winning is always important for a ballplayer, first establishing oneself as a deserving big leaguer, and then getting a long-term contract, are priorities in the early years of a career. But when a player reaches a certain age, Remy waxed, and "those years pile up, and there aren't many left for you," the "more important winning becomes". This is the religious response; in old age, as the years draw to a close, Byrd eschews further personal gain, and discovers meaning and completion in a collective seeking something larger than themselves.

Remy quickly transitioned to discussing underage female Chinese gymnasts.

The cycle of life continues.

Manny Existing Manny

Time doesn't flow the same way for all parties concerned. Fans are fans for life. Businessmen have careers that span generations. But ballplayers can only be ballplayers for a very short period of time.

After the age of 32, every second of every day sees a ballplayer dwindle and decay, and become less and less himself. Not so for the other parties. Businessmen perhaps become more savvy in middle age. Fans become more experienced, have longer memories. They grow into their skins, develop their identities over the years.

Not ballplayers. They just get shittier and shittier until they can't be ballplayers anymore, at an age where other professions are just getting started. And then there's a whole lot of life left.

They can't all go into broadcasting; too many already do.

Some ballplayers are lucky and develop other careers, and form new identities for themselves. Others live off their name, selling white wall tires or family friendly restaurants.

But every player knows their window is short, their skills are ephemeral, and what and who they are will die long before they do.

Manny may or may not know, believe, or agree with any of this. But it's in the back of my mind anytime I feel the urge to blame a player for wanting to be paid whatever he can get for the superhero talents he knows aren't long for this world, before he turns into Clark Kent forever. And it's in the back of my mind when I try to figure out who to side with in a dispute- the rare baseball talent who we pay to see, and whose life expectancy is just about up, or the front office business men, who I don't pay to see, and who can go on being front office business men for 50 more years (in Theo's case, at least), or me, who will keep on watching the games and going about my business.

That's not to say that Manny is absolved; by all accounts, Manny was a Grade A asshole. I'm not denying that. But I don't doubt that there's at least a half-truth in one of Manny's statements, because the Front Office probably did make Nomar and Pedro and Manny all feel one particular way, and whether it was intentional or not is immaterial. I suspect they were all made to feel that they no longer were who they had always thought they were.

Nobody wants to feel replaceable. Interchangeable. Everybody wants to feel unique. I bet guys like Pedro, Nomar and Manny have spent a good part of their lives feeling unique, and deservedly so, because they have been blessed with talent that millions of people would do unspeakable things for. Who they were, why they were loved, why they were the gods of Yawkey Way, was to be found in the arm, the legs, the hands, and the subtle harmonies only they could play.

Of course, superstars age, their skills wither. But to them, from their own point of view, they're still the same unique divinity they've always been, ever since that first scout raved about their tools or wheels or gun at their 13th birthday. But that age of 32 or so rolls around, and that OPS or ERA starts to regress to the mean, and suddenly, these guys are one thing they've never been. Replaceable. They can be substituted; after their prime, the front office can find someone else to put up those same numbers they will. The person goes, the numbers stay the same. Oh right. And the salary shrinks. Profits go up.

That's fine, that's business. But I don't blame the players for wanting "respect", or "mental peace", as Manny put it, which they always say they want instead of money, though of course they want the money. But they don't even need to be shrewd in their investments with the money they already have in order to stay rich for life. No, the money is a symbol. A symbol of being desired. A symbol of being that guy that everyone wants, and pays, to see. That's respect to them- respecting them as The Man they are. The money says that they're wanted, to a quantifiable degree that much more than everyone else. What they want is to still be treated like the stars they were, not thrown out and replaced for an cheaper model. Manny will have mental peace when he's desired the way Manny Ramirez should be desired. And Manny's now getting that. The Dodgers are raving about the Hall of Fame slugger they acquired. Manny can strut into Joe Torre's locker room and Be what he's always Been: Manny.

You can call it 'ego', and it probably is. But the sense of 'self' applies as much as 'conceit'. This is all they've been, this is all they know. All that lies ahead is decay and death. Yes, for all of us too, unfortunately- you heard it here first- but the rest of us still have a narrative, and not just the epilogue that a former ballplayer has. Sure, people will always want their autograph, and they'll always eat for free in the local joints, but any player will tell you, it's not the same. They're never really themselves ever again.

Do you know what the moral of Field of Dreams is? Heaven is where you get to be yourself. (spoiler alert.) Shoeless Joe gets to be a ballplayer again. Doc Graham gets his the one major league plate appearance, the one he should have had. And then, because he really was a doctor, not a ballplayer ('Son, if I'd never gotten to be a doctor, that would have been a tragedy'), he gets to be that again too. Terrence Mann, after years of public silence, gets to be a writer again- he promises to give a full account of what it's like out in the corn field. Ray Kinsella and his estranged father get to be an American Boy and his Dad, by having a game of catch.

But that's Hollywood. Ballplayers can never again be themselves. When Manny learned that he wasn't going to get the 4 year $100 million dollar contract extension that the great Manny Ramirez deserved, he shut down. Undoubtedly, Manny's response was immature and hurtful to those that knew him, and he let his teammates down, and he disappointed fans who cheered for him and paid to see him be himself.

But nonetheless, I find it hard to be mad at Manny. I love baseball, and I know The Game and The Team are bigger than Manny, and Manny didn't do right by The Game, or The Team. I don't condone his actions, but The Game and The Team are idealizations, not real people. They don't have to stare death in the face before they reach middle age. They go on. Ideals are forever, Plato taught us.

Yes, Manny needs to 'grow up.' He should learn to leave an identity behind, and learn to face one reality that he agreed to- his contract to finish out this year- and one he didn't- that who we are must change. He's blameworthy for the first, but not the second, of course. And I can't help suspect that behind the inflammatory statements and the knees and the jogging to first and the wanting his option to be picked up when the team has no reason to do so because he's a Hall of Famer worth $20 million which everyone should recognize NOW, dammit, is the idea that the only self Manny has ever known is dissolving, and that Manny won't be being Manny for very much longer.